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Kaidan aka Veerbharati (Rana Daggubati) states that his ancestors, under the title of The Forest Man of India, gave their lands to the government to preserve the forest. Like her parents and grandparents, Veerbharati devoted her life to birds, animals and trees within the forest.
Cast - Rana Daggubati, Zoya Hussain, Vishnu Vishal,
Director - Prabhu Solomon
Producer - Eros International
Banner - Eros International
Music - Shantanu Moitra
In the film, Kaidan aka Veerbharati (Rana Daggubati) states that his ancestors, under the title of The Forest Man of India, gave their lands to the government to preserve the forest. Like her parents and grandparents, Veerbharati devoted her life to birds, animals and trees within the forest. Everything goes well till Kurunjinathan (Anant Mahadevan), the environment minister plans to build a complex township within the forest.
All attempts at confinement go in vain and are tortured by the authorities in prison and mental asylum. Upon his release, Kadan is devastated by seeing a huge concrete wall that obstructs the elephants, and so the whole herd becomes confused that they cannot live their normal lives. The rest of the film is about how Kadan and the elephants win in the fight against the leading politicians
Solomon has familiar areas in the jungles. His earlier film Kumki (Gajraju in Telugu) was a heart-touching story of a bond between a man and an elephant. The earliest scenes of Aranya are during a similar space, drawing us into dense forests and their many sights and sounds. Ashok Kumar's camera and hence the sound design by Resul Pookutty set the stage for a visible and aural delight.
Solomon draws the lines of battle between the Aranya and hence the inherent force without the Dalits. A minister (Anant Mahadevan), a true estate firm and several of his subordinates want to invade a reserved forest area. Elephants are at risk of losing access to their most basic need for water. The forest guard will have none of it.
For a fight to be so clear cut, the events are long. Some things work just like the characterization of a man in the jungle. Rana plays the role of a rugged ranger, master of peculiar tricks and is also credible during the gravity-based Tarzan-like sequence. The present character has a provocative history. He is no ordinary, pauper of the forest. His family is always with nature and keeps ecology above everything else.
The portions they use of their unique traits are well played. However, the film loses rather quickly, sarcasm against a hostile to all the hammers on a short story of 1 man, who is bay for elephants' blood. But his role is limited.
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