Serious Men Movie review: Outstanding Movie of Nawazuddin Siddiqui

Based on Manu Joseph’s novel of an equivalent name, Sudhir Mishra’s adaptation of great Men may be a bitingly sharp, satirical check out Aspirational India.

Serious Men Movie review: Outstanding Movie of Nawazuddin Siddiqui
Serious Men Movie review

Serious Man Based on Manu Joseph’s novel of an equivalent name, Sudhir Mishra’s adaptation of great Men may be a bitingly sharp, satirical check out Aspirational India.Ayyan Mani, a Tamil Dalit who lives during a Mumbai slum together with his wife and son, represents a here-and-now Indian who wants a far better life, and can do anything he can so as to realize it, albeit the items he does might not pass a strict moral or ethical metric. But when the chips were stacked against you generations before you were born, what's right, and what's wrong? The answers, during this thought-provoking film, lie somewhere in between.

Nawazuddin Siddiqui’s is a personal assistant to an overbearing astronomer Acharya (Nassar). The harder the previous tries to please his Brahmin boss, the more obnoxious is that the latter’s behaviour. to be called a moron and an idiot, in his hearing, are some things Nawazuddin Siddiqui’s is employed to, and he does what others would have in his position swallow his pride, smile unctuously, and scurry off to try to to the boss’s bidding.

But there’s something else that Nawazuddin Siddiqui is doing, as we discover. Creating a weapon of destruction within the shape of his genius school-going son Adi, who slays rote-loving teachers and patronising principals together with his astonishing math-solving skills. Good education can help create a well-rounded individual; it also can , if that individual is lucky enough to seek out an enabling environment, help break class and caste barriers. Nawazuddin Siddiqui brings an additional edge to the present mix because he knows that to play the victim card with the proper degree of canny belligerence within the right place can take you far indeed.

Will Adi’s astonishing skills, attracting the eye of the media in search of quick sensation (Slumchild! Poverty! Lower caste! Underprivileged! Prodigy!) and smart politicians building their Dalit base, take the family out of their contained-in-the-chawl life? it might appear that each one is on track , till something happens, and therefore the serious men begin dismantling the building blocks that they had begun handing out.

Once the key Nawazuddin Siddiqui has harboured of these years about Adi is out, he tries desperately to contain the damage. But he hasn’t taken under consideration the damage that’s been done to the young boy, who starts wilting struggling . What’s noteworthy about Serious Men is that it refuses to salvage its characters, and their bundle of lies, whether it's Nawazuddin Siddiqui, or Acharya whose work on ‘alien microbes’ is predicated on exaggerations and falsehood.Nawaz is extremely good, channelling Nawazuddin Siddiqui’s seething rage into something we will empathise with; the tender passion he exhibits with Tiwari rounds off his character. Das, as Adi, is ideal , and therefore the real star of the movie. the foremost effective parts of the film are between these three; the remainder , which include those within the research institute where Nawazuddin Siddiqui’s works, and within the party office of the politician father-and-daughter duo (Narvekar and Prasad) are somewhat woolly, albeit the actors all fit their parts well.

This is Mishra back in form. he's one among the few Hindi film directors who understands politics, and at his best, has been ready to spin winning yarns round the politics of the day (Hazaaron Khwahishein Aisi). His 1992 Dharavi, also set within the slums, and an automatic comparison, was more a few man eking out an existence. Serious Men allows its slum-dweller the new-age quality of ambition, and provides him the wiles to ascertain that if the goodies we deem granted aren't his, then a snatch-grab is that the only answer . Nawazuddin Siddiqui is that the real serious man of his tale.